Barakat Gallery
Login | Register | User Services | Search | Newsletter Sign-up
Barakat Gallery
HOME : Near Eastern Art : Intercultural Style Art : Cylindrical chlorite vessel in the Intercultural Style
Click to view original image.
Cylindrical chlorite vessel in the Intercultural Style - LO.1264
Origin: Near East
Circa: 3000 BC to 2000 BC

Collection: Near Eastern Art
Medium: Chlorite

Location: Great Britain
Currency Converter
Place On Hold
Ask a Question
Email to a Friend
Previous Item
Next Item
Photo Gallery
Click photo to change image.
Print image
Click photo to change image.
Print image
Chlorite is a distinctive grey-green stone that was utilized during antiquity for the fabrication of luxurious containers in the greater Gulf region as well as around the area of what is currently southern Iran. Excavations at the archaeological site of Tepe Yaya in the Kerman Province of Iran, dated to the mid-third millennium B.C., unearthed the ruins of workshops where such vessels were discovered. Around 2800 BC, chlorite or steatite stone bowls were manufactured in considerable numbers in that area, though at a distance of around a thousand kilometres from the Mesopotamian centers of commerce of the time. The fact that such vessels turn up in archaeological excavations at a greater number than they appear near their respective centers of productions is a clear testimony of the florid commercial trade at the time and the evidence suggests a regular production for export, in order to meet the economic demand in Mesopotamia. Other excavations on Iranian soil help illuminate further such patterns of long-distance trade in these preliterate centuries. On the island of Tarut, in the Gulf close to the Arabian coast, over six hundred complete and fragmentary vessels and weights have been unearthed. Because many partially formed objects found on Tarut were discovered next to chunks of unworked chlorite, it has been surmised that this island was once a center of production for these works. Found throughout the ancient Near East, from Syria to the Indus Valley, revealing the extensive trade routes of the time, these works are classified by modern historians as belonging to the “Intercultural Style,” called so because they derive iconographical elements from both Near Eastern and Harappan traditions. Much like the written cuneiform alphabet was used by several distinct cultures throughout the ancient Near East to dictate their individual spoken languages, so such vessels were created by various cultures, each adorning the works with their own distinct aesthetic style. Many examples were discovered in the ruins of palatial and temple structures or entombed in the graves of the nobility, including Sumerian Mesopotamia. Clearly these vessels were among the most precious luxury items that could only be afforded by the ruling elite. Flat-based cylindrical bowl provided with a short flaring rim that has been decorated with the carved image of two mythological beasts, two serpentiform dragon-like creatures in an extremely tight embrace, very possibly fighting against each other and creating a pattern which repeated covers the whole of the vessel's outer surface. The scene does not reflect the usual serenity of pasturing animals to which we are mostly accustomed by other stone examples of this period. - (LO.1264)


Home About Us Help Contact Us Services Publications Search
Terms and Conditions Privacy Policy Security

Copyright (c) 2000-2023 by Barakat, Inc. All Rights Reserved - TEL 310.859.8408 - FAX 310.276.1346

coldfusion hosting